‘The hive, then, extends itself as part of the environment through the social probing that individual bees enact where the intelligence of the interaction is not located in any one bee, or even a collective of bees as a stable unit, but in the “in-between” space of becoming: bees relating to the mattering milieu, which …
The term Chimera has had a long and rich history dating back to Greek mythology with the most famous definition defined by Homer in the Odyssey where he describes it as “a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire.”
Holy Cow Television, is comprised of two skinned TV units, one of which is an integrated TV/VCR combo unit. Both TV units rest on a bare wood skeleton frame. A small plastic cow sits in front of the first TV, and its projected double can be seen on the second TV set just behind it.
Time Based Digital Media are works created using analogue, digital and video editing apps excluding any AI (artificial intelligence) manipulation. Included in Digital Based Media are some examples from the White Rabbit Series, the Testaccio Pop Art Series, the GIF Art Series and the Monologue Series.
The thematic basis of Monologues: A Meditation In 3 Movements was to create an over arcing exploration of media-based perception.
In exploring the emerging video technology of the early eighties, I created a twenty-one minute video entitled ever/Becoming (1984).
18 Seconds (Les dix-huit secondes) / vs02 was inspired by a screenplay by Antonin Artaud. The work uses imagery – digital and organic – as metaphors to capture the psychological state – in flux – of the protagonist
‘Untitled (aka Leonard)’ was the first Hybrid Sculptural Object, conceived for a series entitled ‘The Limits of Control’ (2009), followed by three other Objects entitled, ‘Untitled (aka Marta’), ‘Holy Cow Television’, and ‘Presence’.
Untitled (a.k.a. Marta) was developed in relationship to Untitled (a.k.a. Leonard). Each of these Hybrid Sculptural Objects were meant to interact with each other through the syncopated clicking and clanking sounds emitting from their speakers.