Untitled (a.k.a. Marta) was developed in relationship to Untitled (a.k.a. Leonard). Each of these Hybrid Sculptural Objects were meant to interact with each other through the syncopated clicking and clanking sounds emitting from their speakers.
Presence is the forth and final work in the ‘Limits of Control’ series (2009), and part of the Obscure Objects of Desire and the Rise of the Technological Chimera installation at AXENEO7 (2010).
The primary intent of using low-fi technology in my previous Hybrid Sculptural Objects (part of the ‘The Obscure Objects of Desire’ installation) was to create a non-confrontational and accessible entry point in which to engage with the visitor/participant in a critical discourse regarding technology’s ubiquitous intervention and role in society.
The introduction of digital technology shifted the way memory imprints were stored and accessed.
Me/di/at/ed – Naccarato: We occupy space and there seems no getting around it. For the most part, our occupation of space revolves around prescribed rituals – performative and repetitive actions which define our personal, social and cultural identities.
What does it mean to be Canadian? There does not seem to exist one absolute criteria that could easily define this nationalistic sentiment. One may inquire into the social, political and historical context of a country; the defining attributes of its people; the significant contributions of its leaders
The DAY for NIGHT Project was a Fiction-Based Interactive AR (Augmented Reality) project consisting of two parts: the Augmented Story and the Augmented City. The Augmented Story was made up of twenty-three (23) interactive and augmented Story Frames (mounted prints) which premiered at the FED GALLERIES (KCAD), Grand Rapids, Michigan between August 29 to October 15, 2017.
A Word About Technological Chimeras Thus the avoidance of contact with the real world and with concrete persons enforces the subject’s dominant position in his or her own world of imagination. The dissonance and noise of the material world, which cannot be reduced to a discursive construction, and the thrilling strangeness of the other are …
The Digital Landscape Series: The Horizon is made up of 14 digital plates (versions). They were shot with my HTC Desire (Android Phone) in the Eastern Townships, Quebec (2013). I’ve long held an interest regarding Landscape. I had explored it extensively through the oil paintings which I created between 1995 to 2005. Although the digital medium …