The term Chimera has had a long and rich history dating back to Greek mythology with the most famous definition defined by Homer in the Odyssey where he describes it as “a thing of immortal make, not human, lion-fronted and snake behind, a goat in the middle, and snorting out the breath of the terrible flame of bright fire.”
Holy Cow Television, is comprised of two skinned TV units, one of which is an integrated TV/VCR combo unit. Both TV units rest on a bare wood skeleton frame. A small plastic cow sits in front of the first TV, and its projected double can be seen on the second TV set just behind it.
The thematic basis of Monologues: A Meditation In 3 Movements was to create an over arcing exploration of media-based perception.
The act of observing or interacting via technological devices generates repetitive gestures. We use these gestures to access our technological devices. Over time, these gestures become recognizable actions intertwined with our personal, social and cultural identity. They become part of our everyday rituals.
Presence is the forth and final work in the ‘Limits of Control’ series (2009), and part of the Obscure Objects of Desire and the Rise of the Technological Chimera installation at AXENEO7 (2010).
What does it mean to be Canadian? There does not seem to exist one absolute criteria that could easily define this nationalistic sentiment. One may inquire into the social, political and historical context of a country; the defining attributes of its people; the significant contributions of its leaders
The DAY for NIGHT Project was a Fiction-Based Interactive AR (Augmented Reality) project consisting of two parts: the Augmented Story and the Augmented City. The Augmented Story was made up of twenty-three (23) interactive and augmented Story Frames (mounted prints) which premiered at the FED GALLERIES (KCAD), Grand Rapids, Michigan between August 29 to October 15, 2017.