Naccarato is an Interdisciplinary Visual Media Artist, based out of Montreal, QC and Rome, Italy, who creates conceptually driven visceral works incorporating varied media, such as performance, digital print, media art, and site-specific installations. He uses daily life as subject matter to create a critical commentary of technology’s intervention on social, cultural and personal identity.
Postcards from the Edge These latest limited edition postcards by Naccarato, are inspired by his experiences in Southern Italy, specifically Reggio di Calabria, Calabria and Catania, Sicily. Only 100 unique postcards of each image will be printed with each numbered and signed by the artist on the back. Each card is printed on premium paper (330–350 …
Images on their own create singular narratives or monologues, but grouped together, the narrative changes, creating dialogues (in pairs), or conversations (3 or more.)
The term is closely associated with the work of mathematician and meteorologist Edward Norton Lorenz. He noted that the butterfly effect is derived from the metaphorical example of the details of a tornado (the exact time of formation, the exact path taken) being influenced by minor perturbations such as a distant butterfly flapping its wings several weeks earlier.
The Noir NFT Collection is inspired by my favorite philosophers, poets and writers.
The Augmented Story unfolds as narrative, revolving around an unnamed protagonist and his movements throughout the city of Grand Rapids, Michigan, and his chance encounter with the mysterious V.
The Augmented Story was made up of twenty-three (23) interactive and augmented Story Frames, which premiered at the FED GALLERIES (KCAD), Grand Rapids, Michigan between August 29 to October 15, 2017.
The Augmented City was made up of multiple Story Markers – distinctive GPS co-ordinates and landmarks throughout the city of Grand Rapids, Michigan.
Some of these markers were site-specific to a location, consisting of landmarks, architectural structures and designs such as the mural found across from Fed Galleries. Others consist of non-site-specific elements such as street signs and could be triggered anywhere throughout the city.
The project, ‘The Obscure Objects of Desire and the Rise of the Technological Chimera’ looks at how media technologies are remediated. How such technologies manifesting as objects emit a presence which is not singularly transparent but is in a sense haunted.
Machine and human have begun to fold onto each other. In turn, this has created what I refer to as a ‘second skin’.
